2015 in Review

It’s four days into 2016, so I’m due to offer some reflections on 2015. I’m grateful for so many wonderful memories I made over those 365 days. The year was significant for me in several ways, some of which I’ll be sharing here, some of which I’ll be sharing over at altarwork.com (where I’m now blogging every Friday). In the latter venue, I’ve already written about my most important day of the year.

But now, in lieu of a more cohesive post, I’ll share some random “tops” and “favorites” of the year.

Favorite New Album: Shockwave Supernova, by Joe Satriani

Other Favorite New Albums: Hand. Cannot. Erase. by Steven Wilson.

Love, Fear, and the Time Machine, by Riverside.

Helios / Erebus, by God Is An Astronaut.

A Head Full of Dreams, by Coldplay

Most Important Book: Life Without Ed, by Jenni Schaefer

Favorite Book: The Complete Short Stories of Ernest Hemingway

Other Favorite Books: Death Comes for the Archbishop, by Willa Cather.

Beyond the Bedroom Wall, by Larry Woiwode.

The Geography of Memory, by Jeanne Murray Walker

Love’s Labors, by Brent Newsom

Favorite Concert: The Choir (playing the full Circle Slide album)

Favorite Movie: The Peanuts Movie

Favorite Weekend Activity: playing keys and singing bgvs at Vista Community Church

Favorite “Athletic” Moments: running a 10k and two 5ks

Favorite Celebrity Meeting: Monty Colvin, bass player/vocalist in Galactic Cowboys, guitarist/vocalist for Crunchy.

IMG_0824

Favorite Interesting Experience: sitting in on a Sunday-school class taught by Oklahoma Poet Laureate, Benjamin Myers @OKPoetLaureate

Favorite Teaching Moment(s): My summer Religion and Literature course (with works by Bret Lott, Tania Runyan, Gina Ochsner, Brent Newsom, Addie Zierman, Larry Woiwode, Jeanne Murray Walker, and Benjamin Myers).

Fun Trip Destinations: Minneapolis, Galveston Island, Kansas City, Lake Michigan, rural Minnesota

Favorite Publication: “The North-Central Iowa Spring Break Blizzard Tour” (published in The Cresset)

Favorite Photo I Took: 

IMG_0880

I’m looking forward to a good 2016, filled with good books and music, lots of writing, good classes to teach, and supportive friends and family.

Aspirations 

In second grade, a new kid named Ryan Meinert joined my class. He befriended me; I befriended him. So far all normal. I’m not sure how it started, from where the idea descended, but I began giving him a weekly handwritten newspaper: Nate’s News. 

I know I included jokes I gathered from other places. I’m confident I included some news stories; whether they were serious or not, I can’t say. Maybe I included baseball scores, football scores. Maybe I included other sections–I’m just not sure. And I only made one copy of each issue: the one I gave to him.

No copies of this august publication remain.

*

Summer of ’86 was hot and dry across Minnesota. There was lots of dust, and for much of the summer, my house didn’t yet have central AC. We utilized the “fan method” of cooling: put the fan in the window at night. We also had a ceiling fan in the living room, which helped move around the hot air.

Just as with Nate’s News, I’m not sure what prompted this, but I drew a one-panel comic strip. In it, a somewhat human-looking individual is sitting in a chair, the ceiling fan spinning overhead. The joke is the juxtaposition of the man saying, “Boy, is it hot!” with the switch marked “Hot/Cool” set to “Hot.” An attempt ironic humor.

I rode my bike downtown to the office of the local weekly newspaper and asked to speak with the editor. For whatever reason, perhaps because my mom worked as a receptionist there, he agreed to see me. Of course nearly thirty years later I remember none of the conversation I had with the editor, but I do know that I handed him the cartoon, and a week later, I had my first official publication.

*

Two years later, I was immersed in the world of reading comic strips and comic books as well as in making my own. My comic strip was Stupid Cowmix, and among my other creations was the comic book Molecule Man. I spent hours in my room first using my wooden ruler to draw panels and then filling them with text and pictures that I thought were funny, clever, and entertaining. My parents humored me.

But in that time from 6th grade through 8th grade when I was dedicated to the comic world, my drawing ability peaked, and the following year other interests grew and continued on through high school: basketball, music, role-playing games, and theater.

*

And what I realize looking back is that it wasn’t so much about the drawing. It was about story. About pacing and timing. About humor. About making something of my own. Taking ideas and materials and creating something that someone else could read and connect with.

Since my mid-twenties, I’ve dedicated my life to making things: poems, stories, essays, blog posts, literary journals. I can trace a line back through those earlier experiences, realizing that they were preparing me for what I love to do.

Even now, all of my efforts begin with a blank page.

[Note: see this prior post about how I came to write poetry again.]

On Editing (#2)

2 months ago I wrote about my experiences as a guest fiction editor for a newer journal, Driftwood Press. At the end of that post, I referred to other kinds of editing I’ve done, adding that I would write at a later date about some of those experiences. Today, I thought I’d share about a wonderful editorial experience I had two summers ago.

One of my pastors, Austin Fischer, approached me about offering a critique of his manuscript. Even though it was already accepted for publication, he wanted someone to read it from a literary angle, to read it at the sentence level. Having the summer open in front of me, and interested in his project, I said yes.

For a few weeks I spent time in the world of his book, Young, Restless, and No Longer Reformed: Black Holes, Love, and a Journey In and Out of Calvinism. The first pass involved reading the book from beginning to end, leaving aside my Pilot G2 .07 black pen. As I read, I was absorbed in his story. It sure makes editing more meaningful when you’re genuinely interested in the writer’s work.

The second pass I read with my standard pen in hand, looking for ways in which the language might be improved, stylistic glitches might be remedied. Where might sentences be combined? Where might sentence patterns be varied? Where might there be crisper verbs, sharper nouns? How could I help Austin’s message be more clear?

I gave Austin my marked-up copy one Sunday after church, and we made plans to meet later that week after he read through my line edits. I recall a sunny morning where we sat outside at Starbucks. I was drinking black coffee. I shared some further observations about the book, and there was the pleasure as he offered me words of affirmation in what I provided. I knew my work was not only appreciated and valued; my suggestions moved something already good toward the great.

And in those ways, I felt less like a line editor and more like a writing coach. I believed in his book from my first read, and even after “marking it up,” I had a more profound admiration of what he was sharing in his story. I’ve told him that I’m ready for the next book, whenever he’s ready to write it.

Note: if you’re interested in what editing services I can provide, please feel free to send an email to plainswriter.nlh@gmail.com or contact me via the Contact menu tab.